Musical extracts
listen to some of Honegger's music on the website. Furthermore, Michel Piquemal gave us the authorization to broadcast two extracts of his recording of the Roi David.
(In order to buy this record, click here)Take advantage of it ! These are extracts of works, famous or less known, that show the
diversity of Honegger's talent, revealing as well his unique style.
Those records are still available for sale.
1.Chamber Music
|
Title |
Date |
Performers
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|
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Final of the Sonatine for clarinet and piano (H. 42) |
1921-22 |
Michel Arrignon, clarinet Pascal Devoyon, piano |
 |
|
Paduana for cello alone (H. 181) |
1945
|
Raphael Wallfisch, cello |
|
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Romance for flute and piano (H. 211) |
1953
|
Alain Marion, flute Pascal Devoyon, piano |
|
2.Melodies
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Title |
Date |
Performers
|
|
|
Last part ofPâques à New-York ( H. 30) |
1920
|
Fusako Kondo, mezzo-soprano Quatuor Ludwig |
|
|
Last two ofTrois Psaumes (H. 144) |
1940-41
|
Jean-François Gardeil, baryton Billy Eidi, piano |
 |
|
First melody of the cycleSaluste du Bartas ( H. 152) |
1941
|
Brigitte Balleys, mezzo-soprano Billy Eidi, piano |
|
3.Orchestral Music
|
Title |
Date |
Performers
|
|
|
"Le Soleil et la fleur" extract from Dit des jeux du monde (H. 19) |
1918
|
Philharmonic Orchestra of Luxembourg Conducted by : Arturo Tamayo |
 |
|
"Blues" from Roses de métal (H. 66) |
1928
|
Symphonic Orchestra of RTL Conducted by : Leopold Hager |
 |
|
"L'Orgie" music for the theatre L'Impératrice aux rochers (H. 60) |
1925
|
Philharmonic Orchestra of Timisoara Conducted by : Jean-François Antonioli |
 |
|
Largo for string orchestra (H. 105) |
1936
|
Symphonic Orchestra of RTL Conducted by : Leopold Hager |
|
4. Oratorio
|
Titre |
Date |
Interprètes
|
|
|
Le Roi David : Canticle, "De mon cœur jallit..." (H. 37) |
1921
|
Regional Choir Vittoria of Ile de France Orchestre de la Cité Conducted by : Michel Piquemal |
 |
|
Le Roi David : "Psaume de pénitence" (H. 37) |
1921
|
Narrator : Jacques Martin Regional Choir Vittoria of Ile de France Orchestre de la Cité Conducted by : Michel Piquemal |
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